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Digital Cultures Lab


workshop 9

Oliver Grau, Virtual Art: From Illusion to Immersion (Cambridge: MIT Press, 2003).

Ted Lumley, "Inclusionality: an immersive philosophy of environmental relationships," Paper presented at the Subtle Technologies Conference, Toronto, May 20, 2001.

Mary Anne Moser, with Douglas MacLeod, eds., Immersed in Technology: Art and Virtual Environments (Cambridge: MIT Press, 1996).

From Body to Avatar / Du Corps a L'Avatar, Anomalie digital_arts 1, 2000

Ken Goldberg, ed., The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet (Cambridge, MA: MIT Press, 2000).

Martin Rieser/ Andrea Zapp, eds., New Screen Media/Cinema/Art/Narrative (London: BFI, 2002).

Sound embodiment/The invisibility of performance in digital music:

Paulo C. Chagas, "The Blindness Paradigm: The Visibility and Invisibility of the Body"

Frans Evers and Lucas van der Velden, Jan Peter van der Wenden, eds. The Art of Programming (Sonic Acts 2001 conference on digital art). Amsterdam: Sonic Arts, 2002.

Rene T. Lysloff, and Leslie C. Gay, Jr. : Music and Technoculture (Middletown, CT: Wesleyan Univ, Press, 2003).

Michel Gaillot, Multiple Meaning: Techno. An Artistic and Political Laboratory of the Present. Trans. Warren Niesluchowski (Paris: ƒditions Dis Voir, 1999).

Brandon LaBelle & Christof Migone, eds., Writing Aloud: The Sonics of Language (Los Angeles: Errant Bodies Press, 2001).


Kirk Woolford: Will.O.w1sp

Thecla Schiphorst [Exhale: Breath between Bodies ]

Sue Broadhurst

Sarah Pell on Submersion

Workshop libraries

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coordinated by Johannes Birringer



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